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Author: Galina M. Zelenskaya
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Galina M. Zelenskaya, Scientific Consultant, The State Historical and Art Museum “New Jerusalem,” Novo- Jerusalem embankment, 1, 143500 Moscow region, Istra, Russia. 

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https://elibrary.ru/HWICFY

For citation:

Zelenskaya, G.M. “Tale of the Consecration of the Great Stone Church in the Resurrection Monastery of New Jerusalem January 18, 1685.” Germenevtika drevnerusskoi literatury [Hermeneutics of Old Russian Literature]. Issue 23. Ed.-in-chief O.A. Tufanova. Moscow, IWL RAS Publ., 2024, pp. 518–568. (In Russian) https://doi.org/10.22455/HORL.1607-6192-2024-23-518-568 

 

DOI: https://doi.org/10.22455/HORL.1607-6192-2024-23-518-568
UDC: 7.03+821.161.1.0
Keywords: Tale of the Consecration of the Great Stone Church of New Jerusalem, regency of Tsarevna Sofia Alekseevna, church decoration of the Resurrection Monastery according to the Inventory of 1685.

Abstract

The article examines the Tale about the consecration of the “great church” of the Resurrection of Christ, erected near Moscow in the image of the Church of the Holy Sepulchre in Jerusalem. This written source has never been the subject of special study; this work represents it in a church-historical and artistic context. The monastic buildings of the 1680s are characterized, the development of their semantics and symbolism is traced, the questions of the authorship of the Tale are touched upon. It is established that the creators of the decoration of the Resurrection Cathedral were carvers, carpenters, icon painters and other masters of church art from the Armory, the Gold-Painting Workshop of the Embassy Order, the Iversky Valdai and the Resurrection monasteries. Attention is paid to the benefactors of the New Jerusalem: the ruler, Princess Sofia Alekseevna, Princess Tatiana Mikhailovna and the head of the Embassy Order, Prince V.V. Golitsyn. The list of participants in the consecration of the “great church” is given: the royal synclite and the clergy, their attitude to Patriarch Nikon and his iconic work is determined. The author analyzes the royal decree on the compilation of a detailed Inventory of the Resurrection Monastery “in memory of descendants.” As a result of the research, the Tale appears as a chronicle of the most important church-state event of the regency of Tsarevna Sofia. The document testifies to the desire to restore the symphony of the spiritual and secular authorities in Russia and preserve their historical continuity. The consecration of the “great church” preceded significant spiritual and political events: the conclusion of “Eternal Peace” with the Polish-Lithuanian Commonwealth and the subordination of the Kiev Metropolia to the Moscow Patriarch. The completion of the construction of the cathedral church of the New Jerusalem established Great, Small and White Russia as a spiritually unified center of Universal Orthodoxy. 

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12 Zelenskaia, G.M. “Vnutrennee ubranstvo nadvratnoi tserkvi Vhoda Gospodnia v Ierusalim Voskresenskogo Novo-Ierusalimskogo monastyria v XVII–XIX vekah” [“Interior Decoration of the Gate Church of the Entry of the Lord into Jerusalem of the Resurrection New Jerusalem Monastery in the 17th–19th Centuries”]. Nikonovskie chteniia v muzee “Novyi Ierusalim” [Nikon Readings at the “New Jerusalem Museum”], ed.-comp. G.M. Zelenskaia, iss. III. Mоscow, Leto Publ., 2011, pp. 188–205, 392–393. (In Russian) 

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1680”]. Izvestiia Imperatorskogo Arheologicheskogo obshhestva [News of the Imperial Archaeological Society], vol. IV. St. Petersburg, Tipografiia Imperatorskoi Akademii Nauk Publ., 1863, pp. 25–60. (In Russian) 

7 Badeev, D.Iu., and P.E. Rusakov, and E.V. Maiorova. “Staryi dereviannyi dvorets i kamennye palaty Novo-Ierusalimskogo monastyria: archeologicheskie issledovaniia 2009–2011 gg.” [“Old Wooden Palace and Stone Chambers of New Jerusalem Monastery: Archaeological Research 2009–2011”]. Rossiiskaia arheologiia, no. 1, 2013, pp. 59–67. (In Russian) 

8 Baranova, S.I. “‘Razsadnik izraztsovogo dela v Rossii (k voprosu o novoierusalimskikh analogiiakh v izraztsovom dekore Moskvy 2-i poloviny XVII7 veka)” [“‘A Hotbed of Tile Making in Russia’ (on the Issue of New Jerusalem Analogies in the Tiled Decor of Moscow in the 2nd Half of the 17th Century”]. Nikonovskie chteniia v muzee “Novyi Ierusalim” [Nikon Readings at the “New Jerusalem Museum”]. Collection of Articles, ed.-comp. G.M. Zelenskaia. Moscow, Severnyi palomnik Publ., 2002, pp. 225–234. (In Russian) 

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12 Zelenskaia, G.M. “Vnutrennee ubranstvo nadvratnoi tserkvi Vhoda Gospodnia v Ierusalim Voskresenskogo Novo-Ierusalimskogo monastyria v XVII–XIX vekah” [“Interior Decoration of the Gate Church of the Entry of the Lord into Jerusalem of the Resurrection New Jerusalem Monastery in the 17th–19th Centuries”]. Nikonovskie chteniia v muzee “Novyi Ierusalim” [Nikon Readings at the “New Jerusalem Museum”], ed.-comp. G.M. Zelenskaia, iss. III. Mоscow, Leto Publ., 2011, pp. 188–205, 392–393. (In Russian) 

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14 Zelenskaia, G.M. “Eleonskaia chasovnia v Novom Ierusalime” [“Chapel of Olives in New Jerusalem”]. Nikonovskie chteniia v muzee “Novyj Ierusalim” [Nikon Readings at the “New Jerusalem Museum”]. Collection of Articles, iss. II. Moscow, Leto Publ., 2005, pp. 144–154, 233–246. (In Russian) 

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