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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Hermeneutics of Old Russian Literature</journal-id>
      <journal-title-group>
        <journal-title>Hermeneutics of Old Russian Literature</journal-title>
      </journal-title-group>
      <issn publication-format="print">1607-6192</issn>
      <issn publication-format="electronic">2713-2226</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/HORL.1607-6192-2025-24-738-752</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>DRAMATIC DILOGY IVAN THE TERRIBLE BY A.N. TOLSTOY IN THE CONTEXT OF OLD RUSSIAN PUBLICISTIC WRITING OF THE SIXTEENTH CENTURY: TO THE POETICS ISSUES</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Kaplun</surname>
            <given-names>Marianna V.</given-names>
          </name>
          <email>old-rus@imli.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <year>2025</year>
      </pub-date>
      <issue>24</issue>
      <fpage>738</fpage>
      <lpage>752</lpage>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>The article examines the issue of Old Russian publicistic sources of dramatic dilogy Ivan the Terrible by A.N. Tolstoy (1940s). The article examines the elements of the publicistic literary thought of Old Russia in relation to the context of drama in the artistic sound, which has so far remained outside the scope of studies devoted to Tolstoy’s dilogy. Consideration of Tolstoy’s drama dedicated to the first Russian tsar in the context of Russian publicism (journalism) of the 16th century makes it possible to speak about Tolstoy’s significant contribution to the artistic construction of the image of Ivan the Terrible in the 20th century. Tolstoy’s attempt to come closer to revealing the image of the first Russian tsar Ivan Vasilyevich in all its diversity and justified contradiction was achieved by a correct understanding of the tsar’s role in history, to some extent the “werewolf shape”, “playful” nature of the Russian ruler. In the play, Ivan appears in different roles: a humble ruler, a powerful tsar, a skilled diplomat, a subtle military strategist, a man in love. The writer’s possible appeal to the publicistic legacy of Ivan Peresvetov (writings-appeals to the sovereign), Andrey Kurbsky (The History of the Grand Duke of Moscow), Ivan IV himself (diplomatic messages) allowed him to build a special literary model of Old Russia in the play due to the precise and expressive transmission of the poetics of medieval artistic text in dialogues.</abstract>
    </article-meta>
  </front>
  <back>
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</article>
